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nevver:

Looks like rain, Jeremy Mann

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Zoom mentalflossr:

20 Things You Might Not Know About Ghostbusters
The deus ex machina of the Ghostbusters crossing the streams of the proton packs helped them to—spoiler alert—defeat the Marshmallow Man and the evil demon Gozer at the end of the film. According to Ramis, this activity didn’t appear in script. He and Aykroyd were unsure how to get the Ghostbusters out of the final scene alive, and because the nuclear technology behind the proton packs was “explained” with humorous techno-babble and mostly left up to the audience’s imagination, they came up with the idea of crossing the streams—an act which would somehow cause a cataclysmic shift in our dimension. After this decision was made, they added in some foreshadowing of the event to an earlier scene, only to revisit the concept in the climactic standoff at the end.

mentalflossr:

20 Things You Might Not Know About Ghostbusters

The deus ex machina of the Ghostbusters crossing the streams of the proton packs helped them to—spoiler alert—defeat the Marshmallow Man and the evil demon Gozer at the end of the film. According to Ramis, this activity didn’t appear in script. He and Aykroyd were unsure how to get the Ghostbusters out of the final scene alive, and because the nuclear technology behind the proton packs was “explained” with humorous techno-babble and mostly left up to the audience’s imagination, they came up with the idea of crossing the streams—an act which would somehow cause a cataclysmic shift in our dimension. After this decision was made, they added in some foreshadowing of the event to an earlier scene, only to revisit the concept in the climactic standoff at the end.

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Zoom moviebarcode:

Inside Llewyn Davis (2013)
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Focal Length: 80mm." href="http://37.media.tumblr.com/6a3d9bf248b144dbdebb486f69964005/tumblr_n3u2g3i0ln1qz4cuyo1_1280.jpg?.jpg">Zoom laughingsquid:

Cardboard Cities, Set Designer Recreates the Streets of London, Mumbai, New York City and Paris Using Cardboard
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Zoom librar-y:

October 1935. Matinee at the Casino Cinema in Amite City, Louisiana.

librar-y:

October 1935. Matinee at the Casino Cinema in Amite City, Louisiana.

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Zoom laughingsquid:

An Incredible 360-Degree Infrared Panorama of the Milky Way Galaxy
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workman:

arpeggia:

Masahisa Fukase - The Solitude of Ravens, 1970s-1980s

Click on each image for more details.

"Masahisa Fukase was born in Hokkaido, Japan in 1934. In 1952 he enrolled in the Photography Department of Nihon University in Tokyo. After graduation in 1956 he was hired at Dai-Ichi Advertising Company, where he began working as a commercial photographer while he pursued his artistic career. Two solo exhibitions followed in quick succession. 1974 marked several important events in Fukase’s life. He established a photography school called The Workshop with his colleagues Shomei Tomatsu, Eiko Hosoe, Noriaki Yokosuka, Daido Moriyama and Nobuyoshi Araki. The same year, his work was included in the exhibition New Japanese Photography at the Museum of Modern Art, curated by John Szarkowski and Shoji Yamagishi. Despite these professional accomplishments, his unstable marriage of the past ten years had begun to dissolve; he returned to his birthplace of Hokkaido seeking solace. At this time, Fukase began to photograph the black birds that would become emblematic of his finest work. Sadly, on June 20, 1992 a severe accident prematurely ended Fukase’s artistic career. Although he was among a generation of young Japanese artists struggling with the constraints of their society, Fukase strayed from the cultural concerns and nihilistic expressionism of his colleagues, focusing instead on a deeply personal meditation on human existence. The somber beauty of his raven photographs reflect his lonely, troubled life and reveal his appreciation of the defiant isolation of these creatures.” [Robert Mann Gallery]

Image source: Robert Mann Gallery, Photo Tractatus

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gameraboy:

The Kodak Brownie movie camera, 1959.

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Zoom moviesinframes:

Only God Forgives, 2013 (dir. Nicolas Winding Refn)
By Fuoritempo

moviesinframes:

Only God Forgives, 2013 (dir. Nicolas Winding Refn)

By Fuoritempo

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